Missing Peace/Piece is an exhibition featuring the work of photographers Hasnain Soomar, Masood Sarwer and Vishal Bhutani that began to come together in the time of the COVID 19 Pandemic. The exhibition looks critically at the search for the ‘missing piece’ of human existence that completes the puzzle of life. That sense of p­­­­­eace that has been shaken up to the level, where many people have either leaned heavily into their faith and spirituality, saying ‘I am safe as my God is kind and has taken care of me’, or have leaned away with a sense of disillusionment—‘Why is God punishing us?’

“It is extremely important that people use their beliefs in a way that makes them feel empowered and hopeful,” says Thomas Plante, PhD, a professor of psychology at Santa Clara University, “Because it can be remarkably helpful in terms of managing stress during times like these,” he writes of the period of the Pandemic that has been defined by the spread and devastation of the COVID 19 virus. 

In India, author Arundhati Roy writes, about the Pandemic as a Time Portal “Historically, pandemics have forced humans to break with the past and imagine their world anew. This one is no different. It is a portal, a gateway between one world and the next.” Reflecting upon these changes we look into the works of three interesting photographers who seem to draw their inspiration while looking again at ‘spirituality’. Hasnain Soomar, Masood Sewar and Vishal Bhutani have similar but separate view-finders that catch varied expressions when we are aligned to them.

Installation View
— Artist Spotlight

Hasnain Soomar

Hasnain’s first introduction to photography occurred at the Chelsea College of Art and Design in London that led him to discover both digital as well as analogue. His experience of photographing the Star Trek sets and exhibits at Hyde Park led him to discover his love for digital astride his engagement with analogue. He made his introduction to the dark room and learned more about photography. While he moved on to working in Digital, for the fashion industry and Bollywood cinema, his fascination and love for analogue techniques has stayed on and he ventures into it once again, experimenting and discovering new aspects through the sheer desire to learn through trial and error.

Besides his technical engagement with the dark room, it is indicated through Hasnain’s philosophical and spiritual beliefs and subsequently in his photographic oeuvre that he is fascinated by the forces of life: The light and the darkness, the positive and the negative, the Yin and the Yang, the Sun and the Moon. While experiencing the many shades of grey, is something he has been taking pleasure in from his advent into photography, it is with his solo exhibitions, that Hasnain came into his own. He began with  ‘The Meeting Point’, held at, Cultivate Art Global, Mumbai, 2021, Dhoomimal Art Gallery in 2021, subsequently held online at the Quarentena Galleria, Chile 2022. His resent solo show ‘Rising from the Dark’ held at Ganges Art Gallery, Kolkata was well received critically as well as commercially. 

Masood Sarwer

Masood Sarwer is a visual artist and a documentary photographer from India. His artistic practice centres around the tensions surrounding identity, gender, human rights, and climate emergency.

In 2023, he was one the young achievers on Forbes – 30 under 30 (Asia). He received the Artist Residency from FORMAT Photography Festival, UK in 2023 and a grant from the Nazar Foundation for his long-term project, ‘Unintended Consequences” –  a visual investigation into climate change.  He won the Global Prize “Photography 4 Humanity” in 2022 and was also nominated for the 6 x 6 global talent award (Asia) – World Press Photo.

Vishal Bhutani

Vishal Bhutani is a trained engineer and also a lawyer.   However his journey as a freelance Photographer/Videographer and a storyteller began in 2016 and since then he has worked on a photo essay about Warda, Dalit and tribal communities living on conflicted lands for the Church of North India as well as documented self-help women’s groups in rural Kolhapur.  For the Save Life Foundation he has documented interaction between humans and vehicles to reduce pedestrian morbidity. He has photographed food and ration card distribution in five Rohingya refugee clusters, for the Rohingya Human Rights Initiative and documented children in their school in Delhi.  He has supervised photography arrangements for the convocation at the Azim Premji University and shot for their official brochure.

He has also photographed Afghan & Chin refugees in Delhi for Access Development Services and tribal communities in Rajasthan for a UNHCR project.

He has been published in the Cosmopolitan Women, NY , USA and the Chiiz Photography Magazine, USA & India.  His publications and exhibitions range from the United Nations Environment Programme, the World Economic Forum, the Inclusive Asia Summit (cover) and at the Loosen Art Gallery Exhibition, Milan.

He has also directed and edited the film, ‘The Humans Behind Garbage’.  He has executed the Delhi B-roll for CGTN’s Cost of Delhi’s Toxic Air by Jyothy Karat while also being on the crew of various advertising commercials.

Georgina Maddox

Georgina Maddox is an independent critic-curator with two decades of experience in the field of Indian Art and Culture. She was Assistant Editor at Mail Today and senior feature writer for the Indian Express and the Times of India. She is currently working as an independent critic for various publications—like The Hindu, Open Magazine, Architectural Digest, Vogue and Elle Magazine. She also writes for online publications like Studio International, STIR world and MASH Mag, Art Dose and Art Amour. She has critical essays in books like, The Phobic and Erotic edited by Brinda Bose and Articulating Resistance edited by Shivaji Pannikar and Deeptha Achar.

Masood Sarwer

The Endless Dance of Erosion
Digital Print on Hahnemühle Archival Photo Rag® 310 GSM
42.0 x 59.4 cm, 6+AP
2021

Vishal Bhutani

102 Jallianwala Bagh
Digital Print, 6+AP
29.7 x 42 cm
2021

Masood Sarwer

Chorus
Digital Print on Hahnemühle Archival Photo Rag® 310 GSM
59.4 x 84.1 cm, 6+AP
2021

Hasnain Soomar

Masood Sarwer

Fertile & Fragile - 42.0 x 59.4 cm

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The Endless Dance of Erosion - 42.0 x 59.4 cm

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Vishal Bhutani

102 Jallianwala Bagh - 29.7 x 42 cm

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Chhath Puja, Delhi - Digital Print

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Migration of Chhat - 29.7 x 42 cm

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Gates of the Almighty - 29.7 x 42 cm

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